Sunday, April 29, 2018

A Score to Settle Podcast - Episode 10, Guest Marshall Harvey, film & TV editor (THE BURBS, MATINEE)

I'm pleased to announce the next new episode of my podcast! In this episode, I talk with film and TV editor Marshall Harvey, diving into such topics as the role of music in his editing process, temp tracks, his personal favorite film music and composers along with his experiences editing select movies directed by Joe Dante, including THE BURBS, MATINEE and LOONEY TUNES: BACK IN ACTION.  We also discuss discernible shifts in movie music styles in recent years and Marshall shares some stories involving the late, great composer Jerry Goldsmith when working on the aforementioned Dante films.

I hope everyone who listens enjoys this episode and is forgiving of any technical or factual gaffes that might occur. Below is the embedded player from which you can listen here, but also feel free to subscribe and download the episode from iTunes (search their store for "a score to settle"). Check out the link from the Facebook page or click on the website link below the player, which should take you directly to where the show is hosted on Podbean. If you do listen via iTunes, take a moment to rate the podcast and write a review, it will help bring notice. Lastly, I recently began a Twitter account for the podcast, which you can find at @score2settlepod. Thanks again!





Sunday, April 1, 2018

A Score To Settle Podcast - Episode 9, Listening To... Jerry Goldsmith in 1982

I'm excited to announce the next new episode of my podcast, "A Score To Settle"! In this episode, I turn my "Listening To..." series towards the inimitable composer Jerry Goldsmith and specifically, his music for films released in 1982. In that year alone there were five theatrical releases which featured his eloquent accompaniment - POLTERGEIST, NIGHT CROSSING, THE SECRET OF N.I.M.H., THE CHALLENGE and FIRST BLOOD. It was a typically busy year for Goldsmith and he produced several of his strongest, most celebrated scores, resulting in an Academy Award nomination for POLTERGEIST. I wanted to examine the aural connections between these efforts, a bit of the concert classical influences and their place in Goldsmith's overall canon.

As always, I hope everyone who listens enjoys this episode and forgives any technical or factual gaffes I might make, I aim to make sure my film facts are correct as well. Below is the embedded player from which you can listen, but also feel free to subscribe and download the episode from iTunes (search their store for "a score to settle"). Check out the link from the Facebook page or click on the website link below the player, which should take you directly to where the show is hosted. If you do listen via iTunes, take a moment to rate the podcast, it will help bring notice. Lastly, I finally started a Twitter account for the podcast, which you can find at @score2settlepod. Thanks again!