Sunday, July 18, 2021

A Score To Settle Podcast - Episode 41, The Evolving Sound of Science Fiction Cinema, Part 2- The 1960's

Welcome back to the podcast! In this episode I continue on to the next chapter of a multi-part deep dive, into the evolving music of Science Fiction cinema through the decades, with my focus today being the 1960’s. Thus far, we’ve journeyed through the 1950’s scores which were brimming with electric violins, theremins, Novachords, jarring stinger chords and harsh onslaughts of brass and percussion.

Now, as we advance into the 1960's, we'll hear sumptuous symphonic scores for THE TIME MACHINE (1960) and MASTER OF THE WORLD (1961), pop and jazz influences in PANIC IN YEAR ZERO! (1962) and BARBARELLA (1968) and avant garde concert techniques expressed in the music for FANTASTIC VOYAGE (1966) and PLANET OF THE APES (1968). Composers represented here include Bernard Herrmann, Jerry Goldsmith, Les Baxter, Russell Garcia, Akira Ifukube - plus vocal crooning by Frankie Avalon! I also include samples of Alex North's original, unused score for the Stanley Kubrick directed, game-changing classic 2001: A SPACE ODYSSEY.

I hope that everyone who listens will enjoy the episode and kindly forgive any technical or factual gaffes. Below is the embedded player from which you can listen or simply click on the website link to head directly to where the podcast is hosted on Podbean. 

Feel free to subscribe and download the episode via iTunes, just search their store for "a score to settle" or launch from the link below. If you do listen through iTunes, take a moment to rate the show and write a review, it will help bring more notice. The podcast is also available on Spotify! Check out the links to the Facebook and Twitter accounts, the latter of which can be found at @score2settlepod. Thanks again!